Tide2019wall sculpture with automation140 cm x 110 cm x 40 cmPlastic, kraft paper, selected objects, wood, aluminum, engine, LED lighting.2019L’esprit des lieux, during Manif d’art 9 – La biennale de Québec, curator : Sophie Jacques, Galerie Michel Guimont, Quebec city (Quebec, Canada).
Series of the Avatars | 2019wall sculpture, recycling material (text at the bottom of the page)Fencing Avatar82 cm x 64 cm x 25 cmPunk Avatar36 cm x 45 cm x 20 cmBlue Eyes Avatar86 cm x 62 cm x 20 cmOwl Avatar55 cm x 53 cm x 20 cmLettuce Avatar47 cm x 34 cm x 20 […]
Recumbent from Scotland1992alluvium artwork born out of the public artwork 19 Recumbents, Collège de Limoilou, Quebec City (Quebec, Canada); prototype and prop for the Skating to Stay performanceduraclear, transparent acrylic, steel, halogen lightingobject: 42 x 48 x 50 cmprojection: 1 x 1.8 mcollection: Musée national des beaux-arts du Québec, permanent collection, Quebec City (Quebec, Canada)documentation: […]
Fall or self-portrait2017- 2018mural with 60 flip-books motorizedPlastic, wood, paper, motors, motion sensorvideo projection, loop : 5 min 50 s90 cm X 160 cm X 14 cm2019Projets spéciaux, Papier 2019 | Art Fair Contemporary, Galerie Michel Guimont, Grand Quay, Port of Montreal, Montreal (Quebec, Canada).2018Trajectory of the senses, Biennale internationale de sculpture contemporaine, Centre d’exposition Raymond-Lasnier, Trois-Rivières (Quebec, Canada).2017Pulse […]
Installations>Fall2017mural with 60 flip-books motorizedPlastic, wood, paper, motors, motion sensor90 cm X 160 cm X 14 cm2017Group exhibition: OFF-Manif 2017, during the satellite activities of the Manif d’Art /8, Galerie Michel Guimont , Quebec city (Quebec, Canada).Perpetual motion at microscopic […]
Le surprenant2016ephemeral installationwood, spinnaker canvas, LED lighting15 m x 5 m x 5 mwith Baroque Bureau’s technical participationcommissionned by panOramas2016Nuit verte during de panOramas, park des coteaux Bassens (right bank of Bordeaux) France.
« Marcel Duchamp avait compris le pouvoir hypnotisant de la roue. Jusqu’à aujourd’hui, son œuvre, ironique et magistrale, continue d’exercer sa fascination. Dans ses installations récentes, Diane Landry exploite à sa manière cet objet circulaire, affublé de sacs ou de bouteilles de plastique, lumières et mécanismes. Ses œuvres instaurent ainsi un envoûtement et conduisent le spectateur […]